THE WEDDING DAY explores intimacy, rupture, and reconstruction in a post-crisis world.

The garments are constructed from recycled materials — cotton sheets and deconstructed leather — forming bodies that appear both fragile and controlled. The silhouettes evoke ceremony, but distort its meaning: union becomes tension, and beauty becomes containment.

Set within a stark, suspended space, the work reflects on the relationship between opposites — softness and violence, devotion and control, dark and light.

I directed and styled the visual narrative as both a fashion collection and an image-based study of the body.

Photography: Marko Suvic